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Slew factor is measured by driving an amplifier to its rated output at 1000Hz and increasing the frequency (at a constant input level) until the waveform shows 1% distortion. The ratio of that frequency to 20kHz is the slew factor. Any number greater than 1 effectively guarantees negligible slewing distortion in hi-fi listening. In my experience, over hundreds of amplifier tests, the slew factor is rarely less than 4 or 5 and is usually greater than 25.
There is another specification, rarely found these days outside the world of high-end audio, that is, and always has been, of little or no practical significance to the user. I refer to damping factor, the ratio of 8 ohms (a standard loudspeaker impedance rating) to the internal source impedance of the amplifier. The effect of a low impedance (typically a small fraction of an ohm) is to damp, or surpress, certain resonances in a speaker, especially low-frequency cone resonance.
There is no question that damping is desireable, but there is a catch. The damping resistance includes not only the source impedance of the amplifier but also the resistance of the connecting speaker cables, the speaker's crossover inductor(s), and the voice coil. So if the amplifier's source impedance is 0.01-ohm, the cable resistance is 0.1-ohm, and the speaker's internal resistance is 4 ohms (a typical value), the damping factor is not 800, or even 80, but a mere 2. Spending extra money for an amplifier with a 0.001-ohm impedance, or a cable the size of a garden hose with a 0.01-ohm resistance, will not have the slightest effect on a speaker's damping.
The myth that extremely high damping factors are beneficial has been with us for many decades, and it was as nonsensical forty years ago, when I first became active in high fidelity, as it is today. Most such fads fades away with time, and almost all respond well to a dose of common sense. In the meantime, they are good for a chuckle or two.
Julian Hirsch - article intitulé "Obsolete Specifications" publié en 1992 par l'AES
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